This imagery also shows the closing off of Meursault and the existentialism that he embodies . The point that in the last paragraph of Part I on that point is no flashback (as is comm alone used by as spiritual rebirth devices to avoid violent scenes ) shows that Meursault lives for the preface and that there is nothing else for him unless the present (LeBlanc 137 . The lack of emotion reveals once again the existentialist philosopher way of thinking because it focuses on the isolation of an individual . This isolation of Meursault is not only from society alone also from himself , his emotionsAs the philosophical system of the inconclusive comes into issue , it is diaphanous from the piece that Camus presents the theory that gentleman s trials to find meaning in life in the context of the universe be mirthful be cause there is no such meaning and therefore only certain failure . The existentialist musings of the protagonist in this moorage merely serve to advance this point .

The human nail down of mortality is deeply emphatic in this for how could man , in his finite lifetime , struggle to define himself against the infiniteThe Stranger is a classical work sedate about the paradoxical and against the absurd . As the last chapter comes to a close and the last thoughts of Meursault are said , it comes to mind that there is not star single unnecessary detail , not one that is returned to later on and used in the motive . T here is a recognition that there is no som! e other fitting finis for the book . This is explained best by the wrangling of Jean-Paul Sarte , In this orb that has been stripped of its causality and presented as absurd , the smallest incident has pack . There is no single one which does not back up to lead the hero to a villainy and capital...If you want to crush a full essay, order it on our website:
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